1745-1802 Danish Jens Juel Galleries was a Danish painter, primarily known for his many portraits, of which the largest collection is on display at Frederiksborg Castle. He was born in the house of his mothers brother Johan Jørgensen, who was a school teacher in Balslev on the island of Fyn. Jens Juel was the illegitimate son of Vilhelmine Elisabeth Juel (January 1725 ?C March 1799), who served at Wedellsborg and a fine gentleman, probably a Wedell or Lord Jens Juel. When Juel was one year old, his mother married Jørgen Jørgensen (1724 ?C June 4, 1796), who was a school master in Gamborg, not far from Balslev, and he grew up in Gamborg. He showed an interest in painting from an early age, and his parents sent him to be an apprentice of painter Johann Michael Gehrman in Hamburg, where he worked hard for five or six years and improved himself so far, that he created himself a reputation as a painter of portraits, landscapes, etc. Just over twenty years old he came to Copenhagen to attend the Royal Danish Academy of Art. In 1767 he was awarded its small gold medal and in 1771 the large gold medal. In 1772 he left Copenhagen to be away for eight years. Initially, he went to Rome where he stayed for four years together with other Danish artists, including Abildgaard. From Rome, he moved to Paris, at the time a center of portrait painting. In 1777 he moved on to Geneva, where he stayed for two years at the home of his friend Charles Bonnet in the company of other Danish artists, including etcher Clemens. In Geneva, Juel soon earned himself a reputation as an excellent artist and he painted many portraits. Through Bonnet, who had become a member of honour of the Danish academy, his reputation reached Denmark. After eight years of absence, he returned to Copenhagen in 1780 after a brief stay in Hamburg, where he met Klopstock. It was at his house, that he painted his well-known picture of "Messiadens Digter". Back in Copenhagen, he created himself a reputation as a painter of portraits for the royal house, nobility and the well-to-do. April 4, 1782, he was unanimously elected to be a member of the academy by Mandelberg, Weidenhaupt and Abildgaard. He became the director of the academy in 1795.   Related Paintings of Jens Juel :. | Johan Bulow til Sanderumgard | A Storm Brewing Behind a Farmhouse in Zealand | Christian VII | Portrait of Bolette Marie Harboe | Portrait of Christian VII of Denmark |
Related Artists:
Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,
Narjot, Ernest
American, 1826-98
OOST, Jacob van, the Elder
Flemish Baroque Era Painter, ca.1601-1671